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Thomas
Benrimo was self-taught as an artist and worked in a frame gilding
shop and as a billboard painter before leaving the west to come
to New York. In New York, he worked for Lee Lash Studios and then
became a scene painter at Gates Morange doing work for such shows
a s the Zeigfeld Follies. He left scene painting to become an illustrator
and he was published in several magazines. He taught advertising
and design at Pratt Institute from 1935 to 1939. After leaving scene
painting he began designing sets for the theatre and doing advertising
work. His clients included Atlas Cement, Exide Battery, Mack Trucks
and the Aluminum Company of America. His work appears in the Fort
Worth Art Museum, Museum of New Mexico and the Denver Art Museum.
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Issues:
January
1936
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